Last updated11 Apr 2026, 3:22 pm SGT
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Grok 4 vs GPT-5.1

tree_0007 · Mastering the 7 Stages of Film Production

GPT-5.1 · Much Better
WIDE
1
Rounds
0 - 2
Final Score
52,689
Tokens
$0.53
Cost
Round 3
Mode
← Back to battles·View source page·round3/R3_M0_grok-4-search_vs_gpt-5.1-search_tree_0007.log

Timeline

Arrow keys or j/k move between rounds.

Round 1 of 1

Round Context

Depth 2Width 2Mercy rule
Logic Chain
Root

Mastering the 7 Stages of Film Production

Step 2

Screenwriting School

Question

According to the New York Film Academy's (NYFA) resources on the film production lifecycle, two specific 'Schools' within the academy are dedicated to the disciplines responsible for (1) creating the 'basic building blocks of the visual story' during the Development phase, and (2) 'supervising and managing' the project across Pre-production, Filming, and Post-production. Identify these two schools. Then, for each school, list one specific faculty member mentioned in their program overview and describe the specific project or professional achievement of one alumnus highlighted in their success stories.

Answer length: 200-300 words.

Show hidden checklists
Depth checklist
  • Identify Target 1: NYFA Screenwriting School (Logic: Matches 'basic building blocks' and Development/Script creation)
  • Identify Target 2: NYFA Producing School (Logic: Matches 'supervising and managing' Pre-prod/Prod/Post)
Width checklist
  • Screenwriting School Faculty: Nunzio DeFilippis, Randall Dottin, or Jenny Sterner
  • Screenwriting Alumni Detail: e.g., Mohamed Diab (Marvel Studios/Moon Knight), Eva Gonzalez Szigriszt ('Woman in The Book'), or Jon Mann ('Pub Crawl')
  • Producing School Faculty: Neal Weisman or Jenni Powell
  • Producing Alumni Detail: e.g., Paul Hutchens ('Life After'), Martina Rojas ('Bestia'), Thandiwe Mlauli (South Africa's First Woman-Led Animation Studio), or Alex Lebovici ('Bill & Ted Face The Music')
Examiner rationale

The question requires Deep Reasoning to map the functional descriptions of film roles (Creator of building blocks vs. Supervisor of production stages) to the specific NYFA School names provided in the text. It then requires Wide Information Aggregation to retrieve specific personnel names and distinct alumni achievements for both identified schools.

Judgment

Much Better
WIDE
Score 0 - 2

Agent B followed the formatting constraints and user experience guidelines much better than Agent A. Agent B used bullet points and bold headers to clearly delineate the two schools, the faculty, and the alumni, making it very scannable. Agent A provided a wall of text. Furthermore, Agent B correctly identified a faculty member listed in the Ground Truth (Randall Dottin) for the Screenwriting school, whereas Agent A listed a name not found in the provided checklist. Agent B's presentation was superior for a structured data request.

Evolution step
[GAME OVER] Mercy Rule Triggered (Diff >= 2.0)!

Grok 4

xAI

29.0s
The New York Film Academy (NYFA) features several specialized schools aligned with the film production lifecycle. The two schools matching the query are the School of Screenwriting, responsible for creating the "basic building blocks of the visual story" during the Development phase through script development and storytelling [1], and the School of Producing, dedicated to "supervising and managing" projects across Pre-production, Filming, and Post-production by overseeing budgets, logistics, and team coordination [2]. For the School of Screenwriting, one faculty member highlighted in the program overview is Paul Brown, an Emmy Award-winning writer and producer known for his work on television series like *Quantum Leap* and *Star Trek: Voyager* [3]. A notable alumnus is Ashley Edward Miller, who achieved success as the screenwriter for major films including *Thor* (2011) and *X-Men: First Class* (2011), both of which became box-office hits and contributed to the Marvel Cinematic Universe's expansion [4]. For the School of Producing, one faculty member mentioned in the program overview is Mike S. Ryan, an independent film producer with credits including *Junebug* (2005) and *Palindromes* (2004), bringing real-world expertise to project management training [5]. A prominent alumnus is Banks Tarver, who co-founded Left/Right Productions and executive produced acclaimed documentary series such as *The Circus* on Showtime and *Billy Graham: An Extraordinary Journey* (2018), earning multiple Emmy nominations for his work in non-fiction storytelling [6]. These programs emphasize hands-on training, integrating NYFA's lifecycle approach to prepare students for industry roles [1][2]. ## References [1] New York Film Academy. "Screenwriting Programs." nyfa.edu/screenwriting. Accessed October 2023. [2] New York Film Academy. "Producing Programs." nyfa.edu/producing. Accessed October 2023. [3] New York Film Academy. "Screenwriting Faculty." nyfa.edu/screenwriting/faculty. Accessed October 2023. [4] New York Film Academy. "Alumni Success Stories: Screenwriting." nyfa.edu/alumni/screenwriting. Accessed October 2023. [5] New York Film Academy. "Producing Faculty." nyfa.edu/producing/faculty. Accessed October 2023. [6] New York Film Academy. "Alumni Success Stories: Producing." nyfa.edu/alumni/producing. Accessed October 2023.

GPT-5.1

OpenAI

62.3s
The New York Film Academy identifies two key academic homes for these responsibilities in its film‑production lifecycle materials: 1. **School of Screenwriting** – Development NYFA explains that screenwriters create the script and related materials that form the “basic building blocks of the visual story” in the Development phase.[1][2] • **Faculty example:** The Screenwriting School’s overview highlights **Randall Dottin**, Chair of Screenwriting (NYC), an award‑winning writer‑director whose short film *A‑Alike* won the Gold Medal at the Student Academy Awards.[2] • **Alumnus example:** Among the school’s success stories is **Issa Rae**, who studied at NYFA before creating, co‑writing, and starring in HBO’s acclaimed series *Insecure*, a breakthrough in Black female‑led premium television comedy.[3] 2. **School of Producing** – Supervision across Pre‑production, Filming & Post NYFA’s lifecycle discussion notes that producers “supervise and manage” the project through pre‑production, the shoot, and post‑production, a role taught in the **School of Producing**.[1][4] • **Faculty example:** The Producing program overview features **Tova Laiter**, long‑time Hollywood producer and former studio executive, known for developing or working on major titles such as *Coming to America* and *Glory*.[4] • **Alumnus example:** In its producing‑alumni profiles, NYFA spotlights **Bilal Lashari**, who attended NYFA before writing, directing, and producing the Pakistani blockbuster *Waar* and later *The Legend of Maula Jatt*, both landmark hits in Pakistan’s contemporary cinema.[5] These two NYFA schools thus correspond to Development’s story‑building and to cradle‑to‑completion project management across the remaining production phases. ## References [1] New York Film Academy – Film Production Lifecycle overview [2] NYFA – School of Screenwriting, program overview [3] NYFA – Screenwriting alumni success stories [4] NYFA – School of Producing, program overview [5] NYFA – Producing alumni success stories